Friday, July 21, 2017

Tanglewood — 2017/07/21-23

It looks like a good weekend at Tanglewood, including one of my favorite pieces of all time (which will be played during my brother's weekly phone call from Tokyo). All three concerts include a solo piano in one of the pieces.


Friday, July 21, 2017.  The BSO performance detail page informs us:
Captivating French pianist Jean-Yves Thibaudet joins the BSO and conductor Gustavo Gimeno-who returns to the Tanglewood podium after making his debut with the orchestra last summer-for Bernstein's Symphony No. 2, The Age of Anxiety, a piece dedicated to Serge Koussevitzky and premiered by the BSO in 1949. Mr. Gimeno also leads the BSO in Tchaikovsky's Symphony No. 4.
(Some emphasis added.)

That's right, folks: a symphony with a solo piano. From the brief audio preview available via the program detail page, it sounds not too tough to take, and the program note makes it sound interesting. I'm going to dinner at the yacht club with a bunch of people from the Race Committee. I might be able to get home in time to hear the whole thing. If not, there's always the "on demand" feature on WCRB so I can catch it later.

By the way, this is one of the BSO's "Underscore Fridays." To enhance the audience's enjoyment, a member of the orchestra introduces the program briefly just before the performance begins. This evening, it will be Assistant Tympanist Daniel Bauch. His take should be interesting to hear.


Saturday, July 22, 2017.  We start with some 20th century music that I don't think I've ever heard, and end with that favorite of mine. Per the performance detail page:
BSO Artistic Partner Thomas Adès opens the Saturday, July 22 BSO program leading his own …but all shall be well, a piece inspired by lines from T.S. Eliot's quotation of Julian of Norwich in Four Quartets: "Sin is Behovely, but All shall be well, and All manner of thing shall be well." The program also features Emanuel Ax in Beethoven's Piano Concerto No. 5, Emperor, the last and most monumental of Beethoven's concertos; as well as the dramatically expressive Sinfonia da Requiem by Benjamin Britten, a composer for whom Mr. Adès has a great affinity.
(Some emphasis added.)

Apparently, the order of performance was revised after the program detail page was written. At any rate the season brochure and the program notes agree that the Britten work will precede the Adès. We'll find out who's right on Saturday. As always there are links to audio previews, program notes, and performer bios on the detail page.


Sunday, July 23, 2017.  Again, the performance detail page gives us the basics, with further information available via the links on the page.
On Sunday, July 23, BSO Assistant Conductor Ken-David Masur is joined by Russian pianist Nikolai Lugansky for Prokofiev's sparkling Piano Concerto No. 3. Mr. Masur opens the afternoon program with Aaron Jay Kernis's airy and moving Musica Celestis ("Heavenly Music"), written by the Grawemeyer Award-winning composer in 2000. Closing the concert is Tchaikovsky's Symphony No. 2, Little Russian.
(Some emphasis added.)

From the program note and the audio preview, it seems that the Kernis piece should be fairly easy listening, but I've never heard the whole thing, so I can't make any guarantees. Anyway, I'm looking forward to hearing it. Remember, the Sunday concert is recorded when performed and broadcast and streamed 4 1/2 hours later, at 7:00 p.m., Boston Time, by WCRB. The other concerts are transmitted live at 8:00 Friday and Saturday.

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