Sorry I missed last week.
Here's WCRB's synopsis of this week's concert:
Saturday, November 11, 2023
8:00pmEncore broadcast on Monday, November 20
Finnish conductor Hannu Lintu leads the BSO in Peter Lieberson’s Drala, inspired by the Tibetan Buddhist term describing life-source, as well as Schumann’s brooding and majestic Symphony No. 4. Leonidas Kavakos returns to Symphony Hall to perform Alban Berg’s final finished piece, the Violin Concerto, written in response to the death of Alma Mahler's daughter.
Hannu Lintu, conductor
Leonidas Kavakos, violinPeter LIEBERSON Drala
Alban BERG Violin Concerto
Robert SCHUMANN Symphony No. 4Leonidas Kavakos appears courtesy of Sony Classical, a label of Sony Music Entertainment
In a preview conversation, Hannu Lintu describes the connections among the three pieces on this program, the story behind Berg's Violin Concerto, with its dedication to Manon Gropius and the meaning behind the Bach chorale embedded in its last movement, and why his Finnish musical background draws him to Schumann's Fourth Symphony. To listen, use the player above, and read the transcript below.
Meanwhile, the BSO's performance detail page gives us this (along with links to the program notes):
Hannu Lintu, conductor
Leonidas Kavakos, violinLIEBERSON Drala
BERG Violin Concerto
Intermission
SCHUMANN Symphony No. 4How do you see the world? Drala, a BSO commission by American composer Peter Lieberson, premiered in 1986 and takes its title from a Tibetan Buddhist term. The word “drala” has many meanings, one of which relates to deepening and expanding one’s perception of the world. Finnish conductor Hannu Lintu leads the BSO and frequent guest Leonidas Kavakos in Alban Berg’s final finished piece; quoting poignantly from Bach, this haunting 1935 Violin Concerto was written in response to the death of a friend’s daughter. In closing, Robert Schumann’s majestic Symphony No. 4, which draws inspiration from Beethoven’s Fifth Symphony in its use of recurring musical themes to tie together the work’s four movements.
The Globe reviewer didn't like the first piece but seems to have enjoyed the rest.
The Intelligencer's reviewer loved the first piece, but was unhappy with the Schumann.
Based on all that, I'm not expecting to enjoy "Drala." In general, I don't care for Berg, but the violin concerto may be less bad than some of his stuff. So for me, the best part will come after intermission, with the Schumann symphony. See what you think, f you listen.
