Showing posts with label Rodgers. Show all posts
Showing posts with label Rodgers. Show all posts

Saturday, March 22, 2025

BSO — 2025/03/22

 This evening's concert is unusual. I'm guessing it's intended as part of an outreach to a wider community than those who regularly come to symphony concerts, and I have no doubt it will attract the intended audience. I wonder, though, if those who come for this will return for Beethoven or Shostakovich. Maybe a few will and there will be a gradual growth in awareness of the BSO as a worthwhile place to go for enjoyable music. But I doubt there will be a dramatic influx right after this. Anywat, WCRB tells us what's on offer:

Saturday, March 22, 2025
8:00 PM

Considered one of the most preeminent jazz artists of all time, and one of the most influential musical artists of any genre, John Coltrane has truly played a part in shaping the music of today. Coltrane: Legacy for Orchestra is a new live concert experience re-framing some of John Coltrane’s most popular and influential works with lush orchestrations, accompanied by exclusive and recently exhibited personal photographs of John Coltrane.

Edwin Outwater, conductor
Terence Blanchard, trumpet

John COLTRANE Legacy for Orchestra
Curated by Carlos Simon

John COLTRANE, orch. Erik Jekabson – Blue Train
COLTRANE, orch. Andy Milne – Naima
Thelonius MONK, orch. Andy Milne – Crepuscule with Nellie
COLTRANE, orch. Steven Feifke – Giant Steps
Guy WOOD, orch. Ben Morris – My One and Only Love
Miles DAVIS, orch. Tim Davies – So What
DAVIS, orch. Cassie Kinoshi – Blue in Green
COLTRANE, orch. Andy Milne – A Love Supreme, Part I: Acknowledgement
Duke ELLINGTON, orch. Carlos Simon – In a Sentimental Mood
COLTRANE, orch. Ben Morris – Crescent
COLTRANE, orch. Tim Davies – Central Park West
COLTRANE, orch. Carlos Simon – Alabama
COLTRANE, orch. Ben Morris – Impressions
Richard RODGERS, orch. Jonathan Bingham – My Favorite Things

To hear a preview of the program with BSO Composer Chair Carlos Simon, use the player above, and read the transcript below.

INTERVIEW TRANSCRIPT

Brian McCreath I'm Brian McCreath at Symphony Hall with Carlos Simon, the Composer Chair for the Boston Symphony Orchestra and the curator of Coltrane: Legacy, this great program.

The BSO's performance detail page has a link to an extensive program note which gives a good biography and appreciation of Coltrane, followed by an informative note on each work in the program. There are, as usual, links to performer bios for the conductor and the soloist at the performance detail page.

The Globe has a nice preview article, but no review. We get a review in the Intelligencer.

I don't really know what to expect, since I rarely hear jazz, but I'll have my radio on.

Saturday, July 5, 2014

Tanglewood — 2014/07/05-06

It's the Boston Symphony's season opener at Tanglewood, with programs Saturday evening at 8:30 and Sunday afternoon at 2:30.

The BSO program detail page describes the opening night program as follows:
Celebrated soprano Renée Fleming opens the 2014 BSO season at Tanglewood in an all-American program. With the Boston Symphony, she will present great works of the American concert hall and opera stage, plus favorites from musical theatre and popular genres. 
(Emphasis added)

The program detail page has links to performer bios (click on the pictures) and program notes Composers are Schwantner, Copland, Barber, Adams, Gershwin, and Rodgers, conductors William Eddins and Rob Fisher.

The page for Sunday afternoon has this to say:
Jerusalem-born conductor Asher Fisch leads a Romantic program fitting for a mid-summer Berkshires' evening. "I've just finished a tiny, tiny piano concerto," Brahms wrote to a friend, referring with great understatement to his piano concerto number 2, a piece as expansive and passionate as a symphony and as intimate at times as a string quartet, and performed alongside the BSO by the magisterial American pianist, Garrick Ohlsson. The preface to the score of Liszt's Romantic symphonic poem Les Preludes reads, in part, "Love is the enchanted dawn of existence," a sentiment echoed in the closing excerpts from Wagner's sunniest opera, Die Meistersinger, a tale of love fulfilled.
(Some emphasis added, and editorial corrections made)

Go there for the usual links, including an audio preview of the Brahms.

As usual, it's all available approximately live on radio and over the web via WCRB. Their BSO page has the whole Tanglewood season broadcast/webstream schedule, as well as links to an interview with Miss Fleming and lots of other things (including recent Pops concerts).