Actually, it was "Die Schöpfung," since they performed it in German.
In this case "they" are Boston Baroque, and I attended their performance on Friday evening, October 21. The review in the Boston Globe praised conductor Martin Pearlman and the soloists and orchestra, and only faulted the chorus for unclear "diction." It's a piece with many excellent moments. I'm somewhat familiar with it from recordings, and it was good to hear it done in a very good live performance.
The decision to go was very much last-minute. I had only started to think about it on Thursday, and bough the tickets by phone on Friday afternoon. My arrival was also last-minute, as I was a bit late leaving home, and my subway connections got me to Jordan Hall at almost 8:10. The orchestra was tuning as I entered the auditorium. I had been afraid I'd miss the overture, but fortunately Maestro Pearlman had decided to wait for me. LOL
They are also recording the oratorio. I've stopped buying recordings, but if you like Haydn, I expect the recording to be worth buying.
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