Soprano Kristine Opolais returns to Symphony Hall as soloist in Mahler's mellifluous Symphony No. 4, a musical journey from earth to heaven that is also the last of Mahler's symphonies to use words from the folk poetry collection Des Knaben Wunderhorn (Youth's Magic Horn). On this same program, Norwegian pianist Leif Ove Andsnes performs Rachmaninoff's last piano concerto, the Fourth, which the composer worked on over the course of ten or more years before giving the premiere in Philadelphia in 1927. Even after that he revised the piece extensively twice, creating the final version in 1941. Opening the concert is a suite of orchestral music from Shostakovich's score for Grigory Kozintsev's 1941 stage production of Shakespeare's King Lear, to be recorded for the BSO's ongoing Shostakovich cycle under Andris Nelsons for Deutsche Grammophon.(Some emphasis supplied.)
The usual links to background information are available on the program detail page.
The review in the Globe is very enthusiastic and points out a number of elements which the reviewer found especially good. The Boston Musical Intelligencer gives a lot of information about the music, as well as the performance, and is generally quite favorable.
Due to a slight indisposition, I decided not to go to the Thursday performance. The reviews have me wishing I had been there; and I'm looking forward to hearing it this evening at 8:00 over WCRB, which will rebroadcast the concert on May 15, also at 9:00. Check out their website for links to other information, including the podcast in which conductor and pianist talk about pieces on this program.