Saturday, October 15, 2022

BSO — 2022/10/15

 As always, WCRB gives us a synopsis along with a link to an interview (this time with the debuting conductor) and a transcript of said interview:

Saturday, October 15, 2022
8:00 PM

Colombian conductor Andrés Orozco-Estrada leads the Boston Symphony for the first time in a rich program that includes Tchaikovsky’s Romeo and Juliet and Mozart’s Piano Concerto No. 18 with soloist Emanuel Ax.

Andrés Orozco-Estrada, conductor
Emanuel Ax, piano

Peter TCHAIKOVSKY Romeo and Juliet Overture-Fantasy after Shakespeare
Wolfgang MOZART Piano Concerto No. 18
Béla BARTÓK The Miraculous Mandarin Suite
Georges ENESCU Romanian Rhapsody No. 1

In a preview of the program, Andrés Orozco-Estrada describes the character of each piece, how he prepares to lead an orchestra for the first time, and who his models were as he learned his craft as a young conductor. To listen, use the player above, and read the transcript below.

TRANSCRIPT

Brian McCreath I'm Brian McCreath at Symphony Hall with Andrés Orozco-Estrada, who is here with the Boston Symphony for the very first time. Thank you for some of your time today. Is this the first time you've been to Boston?

Andrés Orozco-Estrada This is it! It's my first time, and I'm very happy being here for the first time.

I've read some of the interview, and it's interesting to learn how the pieces on the program were chosen. The BSO performance detail page gives this blurb:

Colombian conductor Andrés Orozco-Estrada in his BSO debut is joined by American pianist Emanuel Ax for Wolfgang Mozart’s high-spirited Piano Concerto No. 18. The familiar, yearning Romeo and Juliet Overture is one of several works Pyotr Tchaikovsky based on Shakespeare plays. Hungarian composer Béla Bartók’s lurid Miraculous Mandarin Suite and the Romanian French composer George Enescu's folk music inspired Romanian Rhapsody both make exciting and colorful demands on the orchestra.

The program notes for the individual pieces are available by clicking on their brief descriptions.

This concert was not part of my sbscription, so I can't tell you how it went, but the reviewer in the Globe was happy. The review in the Intelligencer is effusive (or should I say "effervescent"?).

So, based on all that, I recommend listening in on WCRB radio or online this evening at 8:00, Boston Time.

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