BSO — 2024/09/28

 The Boston Symphony Orchestra begins its subscription series in Symphony Hall this week, and WCRB will broadcast the Saturday concerts as usual. Here's how they describe this week's offering:

Saturday, September 28, 2024
8:00 PM

The Boston Symphony Orchestra launches its 2024-25 season with an all-American program led by Music Director Andris Nelsons, including works by critically-acclaimed composer Sarah Kirkland Snider and inaugural BSO Composer Chair Carlos Simon. Also, BSO Principal Clarinet William R. Hudgins is the soloist in Aaron Copland’s delightful Clarinet Concerto, contrasted with Samuel Barber’s soulful Adagio for Strings.

Andris Nelsons, conductor
William R. Hudgins, clarinet

Sarah Kirkland SNIDER Forward into Light
Aaron COPLAND Clarinet Concerto
Samuel BARBER Adagio for Strings
Carlos SIMON Wake Up! Concerto for Orchestra

Meet BSO Composer Chair Carlos Simon in an interview with WCRB's Brian McCreath.

Hear a preview of Copland's Clarinet Concerto with William R. Hudgins using the player above, and read the transcript below.

TRANSCRIPT (lightly edited for clarity):

Brian McCreath I'm Brian McCreath at Symphony Hall with Bill Hudgins, Principal Clarinetist of the Boston Symphony.

There was an opening night gala on September 19, but this week the regular season begins. Let's see what the orchestra's performance detail page says.

Andris Nelsons, conductor 
William R. Hudgins, clarinet 

Sarah Kirkland SNIDER Forward into Light 
COPLAND Clarinet Concerto 
BARBER Adagio for Strings 
Carlos SIMON Wake Up: A Concerto for Orchestra 

Music Director Andris Nelsons leads this all-American program including works by inaugural BSO Composer Chair Carlos Simon and recent music by Sarah Kirkland Snider, both of which explore social justice via a musical lens. Two mid-20th-century classics are also featured: BSO Principal Clarinet William R. Hudgins is soloist in Aaron Copland’s delightfully energetic Clarinet Concerto, contrasting with Samuel Barber’s soulful, evergreen Adagio for Strings.

The usual program notes describing the pieces to be performed are linked, as are the performer bios.

The reviews are in. The Intelligencer is blandly approving. The Globe thinks the Copland needed more rehearsal, but is otherwise favorable.

Other than the "Adagio for Strings," this is unfamiliar to me. although I heard the Snider piece when it was performed last spring. This concert hardly qualifies as "must listen," but it could be interesting.