Beethoven often composed several major works at the same time, each a distinctly different expressive outlet. He began sketching his Fifth Symphony in 1804 but didn't complete it until four years later. The innovative construction of that piece and its unprecedented intensity are embodied in the opening four notes, the most famous theme in classical music. In the interim between the Fifth's first sketches and its completion, Beethoven wrote some of his most lyrical music-for the opera Leonore (which would become Fidelio) and the Fourth Symphony. The latter's consistent high spirits contrast starkly with the struggle against fate embodied in the Fifth.(Some emphasis added.)
Here's a big chunk of what I wrote back then:
At this point, there are no reviews aailable. Since Thursday was Thanksgiving, the first performance was Friday afternoon. But after all, it's Beethoven and this is the BSO, so what could go wrong. Maybe some nuance will be brought out, or maybe someone will do a bit exceptionally well or flub something; but you know that basically it'll be worth listening to. Unfortunately for me, I think the 4th is the worst symphony Beethoven ever wrote. The first movement is okay, and the second is lovely, but the last two are coarse and unappealing to me. And I'll have to miss the 5th, because my brother will be making his weekly call from Japan when they're playing it.Since then the Globe published a review. The reviewer found nothing to actually criticize in the performance and some things to like. But she wished they had given us something important by a more contemporary composer in place of one of the Beethovens. I couldn't find anything in the Intelligencer.
My recommendation: listen. You'll like it.
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