BSO/Classical New England — 2020/06/06

WCRB gives us an encore of the concert which followed the one they encored last week. I posted about it back then (October 26) and here's what I said:

The centerpiece of this week's concert is likely to be challenging, maybe even unpleasant. [Actually, as I recall, it turned out to be okay.] I refer to the piano concerto by Dieter Ammann. Normally, I go to concerts where a piece is to be given its world, American, or BSO premiere. But I was otherwise engaged on Thursday and Friday, so I'll be hearing it for the first time over the radio this evening. We have to rely on the program note (linked on the performance detail page) and the reviews to get an idea of what we are in for. Here's the synopsis of the concert from the performance detail page:

Finnish conductor Susanna Mälkki returns for a program of sensually colorful French music as well as the American premiere of Swiss composer Dieter Ammann’s new work for piano and orchestra, written for the German-born Swiss pianist Andreas Haefliger. Boasting both jazz and modernist credentials, Ammann writes music of great spontaneity and verve. Debussy’s three-movement La Mer—which was given its American premiere by the BSO in 1907—is among the greatest of all French orchestral works, a musical depiction of the changing states of the sea over the course of a day. The program also includes two shorter works: Fauré’s stately, gorgeous, and familiar Pavane, as well as the third movement of Olivier Messiaen’s early orchestral work L’Ascension (1932), which already demonstrates the composer’s unique voice as well as his Debussy-influenced musical heritage.

(Some emphasis added.)

Here are the reviews. The Globe is generally favorable, while the Intelligencer gives a lengthy description of "The Piano Concerto" and is less than thrilled with the conducting of the French pieces.

If the new piece proves intolerable, you can always come back after intermission. I'm not familiar with the Messiaen work, but from the descriptions, I'm guessing that it won't be quite so "advanced" as some of his later compositions.

As always, WCRB will transmit it all live this evening at 8:00 p.m.

My recollection is that the piano concerto proved to be kind of jazzy and not to tough to take. So I'm looking forward to the chance to hear it again.

I hope the links still work. And here's a link to WCRB's page about the concert, with a further link to an interview with the conductor.