BSO/Classical New England — 2020/06/13

WCRB is skipping the November 2, 2019 concert (maybe because of complications involving permission from the Gewandhaus Orchestra, which also took part) and encoring the one from Nov. 9. I had heard it on the preceding Thursday, and posted this (p)review:

One of the reviewers said there are two concerts this evening; before intermission it is music by French composers, and afterwards it is Russian (or perhaps we should say Soviet). Anyway, there are three pieces on the program. Here is how the performance detail page summarizes it:

Andris Nelsons and the BSO continue their survey of the complete symphonies of Dmitri Shostakovich with his Twelfth, The Year 1917, composed in 1961. Its subtitle refers to the successful Bolshevik Revolution that resulted in the establishment of the communist Soviet Union. These are the BSO’s first performances of the complete symphony. (Its third movement, “Aurora,” named for a warship whose crew took part in the Revolution, was performed during a series of BSO Youth Concerts marking the composer’s centenary in November 2006.)

Opening these concerts are the American premiere performances of the French-American composer Betsy Jolas’ Letters from Bachville, a BSO commission. Jolas, who celebrates her 93rd birthday in 2019, has been on the faculty of the BSO’s Tanglewood Music Center on several occasions. The outstanding Mitsuko Uchida joins the BSO and Mr. Nelsons for Ravel’s scintillating and poignant Piano Concerto in G.

(Some emphasis added.)

Don't forget the links to additional information which can be found on that page as well as on WCRB's page describing this concert.

The reviews are in. The Globe reviewer found the last three movements of the Shostakovich and the slow movement of the Ravel well played, and found no fault with any of the rest of it. As for the new piece by Betsy Jolas, he was noncommittal. The reviewer in the Musical Intelligencer gave Jolas even shorter, and equally noncommittal, shrift. He enthused over the playing of the Ravel, then dismissed the Shostakovich as too long and, except in the slow movement, too loud.

I was there on Thursday and, like the reviewers, found little in "Letters from Bachville" that could be recognized as Bach. So I'd suggest just listening to it as a piece of music with no associations, and see how it feels. I didn't notice anything really terrible on Thursday, so it may be okay. Like the reviewers, I think the slow movement of the Ravel was the highlight of the evening.

You can listen (and enjoy at least some of it, I hope) this evening … at 8:00 p.m., Boston Time, over the broadcast and streaming facilities of WCRB.

Although it may be interesting to see if "Letters from Bachville" is more appealing this time around, my basic feeling is that this concert is not must listening. But if you do listen, by all means be attentive for the slow movement of the Ravel piano concerto.