BSO — 2026/02/07

 There are three pieces on this evening's Boston Symphony concert, the second inspired by the third. Here's WCRB's synopsis: https://www.classicalwcrb.org/show/the-boston-symphony-orchestra/2026-02-14/esa-pekka-salonen-the-bso-and-bruckners-romantic

Saturday, February 14, 2026
8:00 PM

Conductor Esa-Pekka Salonen returns to lead the BSO for the first time since 2012 with the highly anticipated American premiere of his own Horn Concerto, a BSO co-commission composed for Stefan Dohr, principal horn of the Berlin Philharmonic. The concerto draws on material from Anton Bruckner’s soaring, brass-friendly Symphony No. 4, Romantic.

Esa-Pekka Salonen, conductor
Stefan Dohr, horn

Luigi BOCCHERINI & Luciano BERIO Ritirata notturna di Madrid
Esa-Pekka SALONEN Horn Concerto (American premiere; BSO co-commission)
Anton BRUCKNER Symphony No. 4, Romantic

Learn more about the Boston Symphony Orchestra's 2025-2026 season on their site.

In a wide-ranging interview, Esa-Pekka Salonen describes the twists and turns of composing a concerto for the instrument he played as a young musician, the BSO's unexpected role in shaping his first impressions of orchestral music, his goals for the 2026 Festival of Contemporary Music at Tanglewood, and what he learned from the late architect Frank Gehry. To listen, use the player above, and read the transcript below.

INTERVIEW TRANSCRIPT (lightly edited for clarity):

Brian McCreath I'm Brian McCreath at Symphony Hall with Esa-Pekka Salonen, 

The BSO's performance detail page says the following: https://www.bso.org/events/feb-12-14-salonen-bruckner?performance=2026-02-14-20:00

Boston Symphony Orchestra Esa-Pekka Salonen, conductor Stefan Dohr, horn BOCCHERINI/BERIO Ritirata notturna di Madrid  Esa-Pekka SALONEN Horn Concerto (American premiere; BSO co-commission)       intermissionBRUCKNER Symphony No. 4, Romantic  

Before Esa-Pekka Salonen became one of the world’s most renowned conductors, he started his musical life as a working horn player and progressive composer. He brings his musical worlds together in leading the American premiere of his Horn Concerto composed for Stefan Dohr, principal horn of the Berlin Philharmonic. The concerto draws on material from Anton Bruckner’s magisterial, brass-friendly Fourth Symphony, which Salonen has programmed for the second half of this concert. Bruckner’s soaring symphonies are frequently described as “cathedrals in sound.”

This time there are links to the program notes. (Thank you, BSO.) Go to the page and click on the arrow after the name of the piece.

Finally there is this review in the Intelligencer: https://www.classical-scene.com/2026/02/13/city-country/ The reviewer has an interesting approach, overall favorable. The comments suggest that this is must listening, especially the Bruckner.

BSO — 2026/01/31

 This evening's BSO concert is another in the "E Pluribus Unum" series. There isn't much information available, because the BSO performance detail page for the concert isn't available, which leaves this description from WCRB along with the interview which you can access (audio or transcript) via the WCRB page: https://www.classicalwcrb.org/show/the-boston-symphony-orchestra/2026-01-31/carlos-simons-good-news-mass-with-wilkins-and-the-bso

Saturday, January 31, 2026
8:00 PM

BSO Conductor Thomas Wilkins leads the Boston premiere of Good News Mass, a new co-commission by Composer Chair Carlos Simon that includes narration by librettist and spoken word artist Marc Bamuthi Joseph and vocal contributions by tenor Zebulon Ellis, gospel choruses, and others. Simon’s mass is paired with another work of faith by contemporary composer David Lang. Inspired by the world of Charles Ives and the simplicity of New England hymns, poor hymnal was composed for the Grammy Award-winning vocal ensemble The Crossing, using a wide variety of texts to contemplate how we respond to those in need.

Thomas Wilkins, conductor
Jekalyn Carr, soprano
Melvin Crispel III, alto
Zebulon Ellis, tenor
Marc Bamuthi Joseph, librettist and spoken word artist
The Crossing
Donald Nally, Artistic Director
Gospel Choruses 
Dennis Slaughter, Guest Chorus Director

David LANG Selections from poor hymnal
Carlos SIMON Good News Mass (with video by Melina Matsoukas; BSO co-commission)

Learn more about the Boston Symphony Orchestra's 2025-2026 season on their site.

Carlos Simon talks with CRB's Brian McCreath about Good News Mass, its use of the Hammond B3 organ, the work's relationship to other sacred music, and the very personal origin of one of the hymns embedded in it. To listen, use the player above, and read the transcript below.

TRANSCRIPT (lightly edited for clarity:

Brian McCreath I'm Brian

We do get more information about it all in this review https://www.classical-scene.com/2026/01/31/boston-symphony-orchestra-spreads-the-good-news/ in the Intelligencer.

I wonder what it will mean that the "poor hymanl" is  "inspired by the world of Charles Ives." I've been thinking that Charles Ives should be included in any series about 250 years of aAmerican music, and the series has struck me as too focused on recent and contemporary music and too ready to pull in music from abroad with some tenuous connection to the United States. Well we'll see how this turns out.

BSO — 2026/01/24

 This week the "E Pluribus Unum" series turns to music of John Williams, some from movies and some "serious." Here's how WCRB describes the program: https://www.classicalwcrb.org/show/the-boston-symphony-orchestra/2026-01-24/the-bso-celebrates-john-williams-with-emanuel-ax-and-gil-shaham

Saturday, January 24, 2026
8:00 PM

To celebrate one of America’s greatest and most expansive composers, Andris Nelsons leads an all-John Williams program! Pianist Emanuel Ax performs the Boston premiere of Williams’s Piano Concerto, and violinist Gil Shaham is the soloist in TreeSong and the Theme from “Schindler’s List," part of a program that also includes music from “Catch Me if You Can” and “Close Encounters of the Third Kind.”

Andris Nelsons, conductor
Emanuel Ax, piano
Gil Shaham, violin 

All-John WILLIAMS program
"Joy Ride" from Escapades
Concerto for Piano and Orchestra
TreeSong, for violin and orchestra
Theme from Schindler’s List
Suite from Close Encounters of the Third Kind

The BSO program performance page is a bit more expansive, including links to performer bios but unfortunately none to program notes for the selections: https://www.bso.org/events/jan-22-25-john-williams-prog?performance=2026-01-24-20%3A00

Boston Symphony Orchestra Andris Nelsons, conductor Emanuel Ax, piano Gil Shaham, Violin All-John WILLIAMS program  “Joy Ride” from EscapadesPiano Concerto      intermissionTreeSong, for violin and orchestra Theme from Schindler’s ListSuite from Close Encounters of the Third Kind

Considered among the greatest film composers of all time, Boston Pops Conductor Laureate and longtime BSO family member John Williams is also known for his concert works. His new Piano Concerto, composed for Emanuel Ax, received its premiere at Tanglewood in summer 2025. Violinist Gil Shaham gave the world premiere of TreeSong with the BSO and Williams at Tanglewood in 2000; the piece was inspired by dawn redwood trees in Boston’s Public Garden and Arnold Arboretum. Shaham also plays the poignant Schindler’s Listtheme, and other music from Williams’s film scores begins and ends the program.

So far the Globe hasn't published a review. There is a fairly lengthy and favorable one in the Intelligencer. https://www.classical-scene.com/2026/01/23/williams-smiles/

Weather and other circumstance held me back from attending on Thursday or Friday, so I have no observations of my own to add. I'll be listening this evening, with particular interest in the piano concerto, although it should all be good.

BSO — 2026/01/10

 This evening the BSO returns to Symphony Hall. Thwy open this part of the season with the first of a series of concerts with the heading "E Pluribus Unum," celebrating the 250th anniversary of the Declaration of Independence.

 Here's how WCRB describes it: https://www.classicalwcrb.org/show/the-boston-symphony-orchestra/2026-01-10/samuel-barbers-vanessa-with-the-bso

Saturday, January 10, 2026
8:00 PM

To begin the Boston Symphony’s E Pluribus Unum, or From Many, One, a broad, multi-concert exploration of American music, Andris Nelsons leads the BSO in Samuel Barber’s hauntingly beautiful opera “Vanessa,” in collaboration with the Boston Lyric Opera. This is the BSO’s first full performance of the Pulitzer Prize-winning work, which The New York Times lauded as “the best American opera ever presented” when it premiered to 17 curtain calls at the Metropolitan Opera in 1958.

Andris Nelsons, conductor
Jennifer Holloway, soprano (Vanessa)
Samantha Hankey, mezzo-soprano (Erika)
Anne Sofie von Otter, mezzo-soprano (The Old Baroness)
Ganson Salmon, tenor (Anatol)
Patrick Carfizzi, baritone (The Old Doctor)
Wei Wu, bass (Major Domo/Footman)
Tanglewood Festival Chorus
Betsy Burleigh, guest choral conductor
Boston Lyric Opera Chorus
Brett Hodgdon, conductor

Samuel BARBER Vanessa

The BSO performance detail page puts it this way: https://www.bso.org/events/jan-8-10-barber-vanessa?performance=2026-01-10-20:00

Boston Symphony Orchestra Andris Nelsons, conductor Jennifer Holloway, soprano (Vanessa) Samantha Hankey, mezzo-soprano (Erika) Anne Sofie von Otter, mezzo-soprano (The Old Baroness) Ganson Salmon, tenor (Anatol) Patrick Carfizzi, baritone (The Old Doctor) Wei Wu, bass (Major Domo/Footman) Alexandra Dietrich, staging coordinator Tanglewood Festival Chorus Betsy Burleigh, guest choral conductorBoston Lyric Opera ChorusBrett Hodgdon, conductorBARBER Vanessa  

Composed by Samuel Barber
Libretto by Gian Carlo Menotti
Presented under license from G, Schirmer, Inc., copyright owners

Andris Nelsons leads some of the most acclaimed stars of opera today in performances of Samuel Barber’s Vanessa, a work considered by many the greatest American opera. Winner of the Pulitzer Prize in 1958, Vanessa premiered at the Metropolitan Opera that year. Barber wrote the opera on a libretto by Gian Carlo Menotti; they aimed for a cosmopolitan, nostalgic work on lost love and the consequences of self-delusion. Barber’s romantic lyricism is ever-present in this powerfully affecting work, a centerpiece of this season’s E Pluribus Unum: From Many, One focus.

At the page there are arrows giving links to the performer bios and (hooray!) to the program notes.

Perhaps you can find the libretto somewhere. The program notes willl give a bit of an idea of what is going on, but it will be almost impossible to follow word for word without the libretto. 

The favorable review in the Intelligencer https://www.classical-scene.com/2026/01/10/bso-vanessa/ might be interesrting.

Well, I heard the Saturday afternoon broadcast from the Met in 1958 and didn't much care fior it then. I was there on Thursday evening this week and still don't like it. Apart from a couple of spots (especially the party scene) the music is unmelodic to my ears, and even with supertitles it wasn't always easy to figure out what they were singing. The story itself is kind of interesting, and the guy who sang the role of the Old Doctor was very good, but overall, I can't recommend listening unless you're curious or really like 20th Century music.

BSO/Classical New England — 2025/12/20

 This week's encore broadcast is an interesting program: Haydn and Stravinsky. The conductor makes a case both for playing Haydn and for putting Stravinsky on the same program. I recommend reading the interview on WCRB's page: https://www.classicalwcrb.org/show/the-boston-symphony-orchestra/2024-10-31/isabelle-faust-and-alan-gilbert-join-the-bso-for-haydn-and-stravinsky

Saturday, December 20, 2025
8:00 PM

In an encore broadcast, Isabelle Faust and Alan Gilbert return to Symphony Hall for Stravinsky’s bracing, wry Violin Concerto. Bracketing Stravinsky’s concerto are two Joseph Haydn works from early and late in his symphonic career.

Alan Gilbert, conductor
Isabelle Faust, violin

Joseph HAYDN Symphony No. 48, Marie Therese
Igor STRAVINSKY Violin Concerto
HAYDN Symphony No. 99

This concert was originally broadcast on February 22, 2025, and is no longer available on demand.

To hear a preview of the program with Alan Gilbert, use the player above, and read the transcript below.

INTERVIEW TRANSCRIPT

Brian McCreath I'm Brian McCreath at Symphony Hall with Alan Gilbert, back for a concert with the BSO that I think is just a really interesting program and one that doesn't sort of organically fall off a tree, I feel like.

Here's a similar description from the BSO's performance detail page: https://www.bso.org/events/alan-gilbert-conducts-haydn-stravinsky?performance=2025-02-22-20:00

Alan Gilbert, conductor Isabelle Faust, Violin 

Alan Gilbert, conductor
Isabelle Faust, violin

HAYDN Symphony No. 48, Maria Theresia
STRAVINSKY Violin Concerto
-Intermission-
HAYDN Symphony No. 99

Isabelle Faust and Alan Gilbert return for Stravinsky’s bracing, wry Violin Concerto, a work at the core of his sparkling and witty neoclassical period. Bracketing Stravinsky’s concerto are two Joseph Haydn works from early and late in his symphonic career, during which he largely created the foundations for the 18th-century Viennese Classical era.

If you go to the actual page, the arrows are links to performer bios. I don't know why they won't provide links to the program notes as well, but there you have it.

There is an enthusiastic review https://www.classical-scene.com/2025/02/21/done-to-perfection/ in the Intelligencer.

I think this concert is worth listening to.

BSO/Classical New England — 2025/12/13

We get "encore broadcasts" while the BSO is on hiatus and Holiday Pops takes over Symphony Hall. Return with us now to last February to hear music of Schubert and Brahms conducted by Herbert Blomstedt. WCRB informs us: https://www.classicalwcrb.org/show/the-boston-symphony-orchestra/2024-10-31/blomstedt-conducts-the-bso

Saturday, December 13, 2025
8:00 PM

In an encore broadcast, one of the masters of the art of conducting for over seven decades returns to lead the BSO in Franz Schubert's light-hearted, cheerful Symphony No. 6, as well as the First Symphony by Johannes Brahms.

Herbert Blomstedt, conductor

Franz SCHUBERT Symphony No. 6
Johannes BRAHMS Symphony No. 1

This broadcast was originally broadcast on February 15, 2025, and is no longer available on demand.

To hear Herbert Blomstedt in a conversation with GBH's Arun Rath, use the player above, and read the transcript below.

INTERVIEW TRANSCRIPT: 

Arun Rath This is GBH is All Things Considered. I'm Arun Rath.

The BSO performance detail page https://www.bso.org/events/schubert-brahams?performance=2025-02-15-20:00 seems to have a link to MaestroBlomstedt's bio, when you go to the page itself, but none to the program notes for the pieces played:

Herbert Blomstedt, conductor 

Herbert Blomstedt, conductor

SCHUBERT Symphony No. 6
-Intermission-
BRAHMS Symphony No. 1

Herbert Blomstedt, celebrating a seven-decade conducting career, returns to lead the BSO in Franz Schubert's light-hearted, cheerful Symphony No. 6, composed when he was 20 and notable as a satisfyingly classical work preceding his more searching later symphonies. Brahms was strongly influenced by Schubert but more so still by Beethoven, whose symphonic shadow apparently kept Brahms from completing his First Symphony until he was 43 years old. A prominent theme in its finale is a direct nod to Beethoven’s Ninth.

I posted about it at the time (with a number of embarrassing typos). You might be interested in my observations from the previous day's performance as well as the "enthusiastic review" in the Intelligencer, which I'm linking here again. https://www.classical-scene.com/2025/02/14/blomstedt-balm/

I definitely recommend listening this evening.