BSO/Classical New England — 2024/12/14

 This week's encore broadcast is from last March. Here's WCRB's description:

Saturday, December 14, 2024
8:00pm

Eminent English conductor Sir Mark Elder returns to Symphony Hall for the first time since 2011 to lead a program exploring whimsy, fantasy, and folklore. He leads the American premiere of Elena Langer’s The Dong with  the Luminous Nose, a setting of Edward Lear’s delightful “nonsense poem,” written for the BSO and the London Philharmonic Orchestra. The performance features BSO Principal Cellist Blaise Déjardin as soloist along with the Tanglewood Festival Chorus. Maurice Ravel’s Mother Goose began as a suite of children’s piano pieces, each illustrating an iconic fairytale, while Antonín Dvořák’s The Noonday Witch is based on a much darker Czech folktale. Czech composer Leoš Janáček’s energetically masterful Sinfonietta closes the program.

Sir Mark Elder, conductor 
Blaise Déjardin, cello 
Tanglewood Festival Chorus

Maurice RAVEL Mother Goose 
Elena LANGER The Dong with a Luminous Nose, for cello, chorus, and orchestra (American premiere; BSO co-commission)
Antonín DVOŘÁK The Noonday Witch
Leoš JANÁČEK Sinfonietta

This broadcast was originally broadcast on March 16, 2024, and is no longer available on demand.

Read Edward Lear's "The Dong with a Luminous Nose" at Poetry Foundation.

For a preview of the program with Sir Mark Elder, use the player above, and read the transcript below:

TRANSCRIPT:

Brian McCreath I'm Brian McCreath at Symphony Hall with Sir Mark Elder, and you are back with the Boston Symphony for the first time in quite a while. But it's really wonderful to have you here

The BSO's own performance detail page gives the same overall description, but also has links to the program notes, which could prove useful:

Sir Mark Elder, conductor 
Blaise Déjardin, cello 
Tanglewood Festival Chorus 
 James Burton, conductor 

RAVEL Mother Goose (complete) 
Elena LANGER The Dong with a Luminous Nose, for cello, chorus, and orchestra (American premiere; BSO co-commission) Commissioned by the Boston Symphony Orchestra, Andris Nelsons, Music Director, through the generous support of the Arthur P. Contas Commissioning Fund.
Intermission
DVOŘÁK The Noonday Witch
JANÁČEK Sinfonietta

This week's performances by the Tanglewood Festival Chorus are supported by the Alan J. and Suzanne W. Dworsky Fund for Voice and Chorus.

Thursday evening's concert is supported by Patricia Romeo-Gilbert, in memory of Paul B. Gilbert.

Friday afternoon’s concert and soloist Blaise Déjardin are supported by the Elfers family.

Eminent English conductor Sir Mark Elder returns to Symphony Hall for the first time since 2011 to lead a program full of whimsy, fantasy, and folklore. Opening the program, Maurice Ravel’s Mother Goose ballet score began as a suite of children’s piano pieces, each movement illustrating an iconic tale. Next is the American premiere of Elena Langer’s The Dong with a Luminous Nose, a setting of Edward Lear’s delightful “nonsense poem” written for the BSO and the London Philharmonic Orchestra, which gave the first performance in March 2023 featuring BSO principal cello Blaise Déjardin as soloist with the Tanglewood Festival Chorus. Antonín Dvořák’s The Noonday Witch is based on a much darker Czech folktale. Czech composer Leoš Janáček’s energetic, masterful Sinfonietta closes the concert.

I wrote about it back then, a bit more favorably than I feel right not. I found the Ravel dull, although most peopple seem to enjoy it. The Langer piece was amusing at points and the music fits the text, but IMO it isn't music for the ages. The concert gets really good after intermission with an interesting piece by Dvořák and a good one by Janáček. In other words it could be interesting to hear.

BSO — 2024/03/16

This week the BSO gives us three pieces for or about children and rounds the evening off with a lively and pleasantpice that's about 100 years old. Here's their description:

Saturday, March 16, 2024
8:00pm

Encore broadcast on Monday, March 25

Eminent English conductor Sir Mark Elder returns to Symphony Hall for the first time since 2011 to lead a program exploring whimsy, fantasy, and folklore. He leads the American premiere of Elena Langer’s The Dong with  the Luminous Nose, a setting of Edward Lear’s delightful “nonsense poem,” written for the BSO and the London Philharmonic Orchestra. The performance features BSO Principal Cellist Blaise Déjardin as soloist along with the Tanglewood Festival Chorus. Maurice Ravel’s Mother Goose began as a suite of children’s piano pieces, each illustrating an iconic fairytale, while Antonín Dvořák’s The Noonday Witch is based on a much darker Czech folktale. Czech composer Leoš Janáček’s energetically masterful Sinfonietta closes the program.

Sir Mark Elder, conductor 
Blaise Déjardin, cello 
Tanglewood Festival Chorus

Maurice RAVEL Mother Goose 
Elena LANGER The Dong with a Luminous Nose, for cello, chorus, and orchestra (American premiere; BSO co-commission)
Antonín DVOŘÁK The Noonday Witch
Leoš JANÁČEK Sinfonietta

Read Edward Lear's "The Dong with a Luminous Nose" at Poetry Foundation. [Emphasis added.]

For a preview of the program with Sir Mark Elder, use the player above, and read the transcript below:

TRANSCRIPT:

Brian McCreath I'm Brian McCreath at Symphony Hall with Sir Mark Elder, and you are back with the Boston Symphony 

I recommend going to the BSO performance detail page and finding the link to the program notes, especially for the Langer and Dvořák pieces. Here's their overview of the show:

Sir Mark Elder, conductor 
Blaise Déjardin, cello 
Tanglewood Festival Chorus 
 James Burton, conductor 

RAVEL Mother Goose (complete) 
Elena LANGER The Dong with a Luminous Nose, for cello, chorus, and orchestra (American premiere; BSO co-commission) Commissioned by the Boston Symphony Orchestra, Andris Nelsons, Music Director, through the generous support of the Arthur P. Contas Commissioning Fund.
Intermission
DVOŘÁK The Noonday Witch 
JANÁČEK Sinfonietta

[…]

Eminent English conductor Sir Mark Elder returns to Symphony Hall for the first time since 2011 to lead a program full of whimsy, fantasy, and folklore. Opening the program, Maurice Ravel’s Mother Goose ballet score began as a suite of children’s piano pieces, each movement illustrating an iconic tale. Next is the American premiere of Elena Langer’s The Dong with a Luminous Nose, a setting of Edward Lear’s delightful “nonsense poem” written for the BSO and the London Philharmonic Orchestra, which gave the first performance in March 2023 featuring BSO principal cello Blaise Déjardin as soloist with the Tanglewood Festival Chorus. Antonín Dvořák’s The Noonday Witch is based on a much darker Czech folktale. Czech composer Leoš Janáček’s energetic, masterful Sinfonietta closes the concert.

The brief review in the Intelligencer is more descriptive than evaluative and contains a good description of the Langer piece. The Globe doesn't seem to have reviewed it yet.

I was there on Friday afternoon. I found the Ravel dull for the most part, but most people seem to like it. The Langer was amusing in the way the music, raucous at times and more gentle at times supported the taxt. The cellist did very well with his solos. After intermission, the Dvořák was interesting. Again, I recommend using the BSO's prograsm notes to get an idea of the action which the music represents. The Janáček is lively and fun, IMO.

All in all, it isn't must listen music, but I don't regret spending the time listening to it, and I'm looking forward to hearing it again this evening and on the 25th. Enjoy.

BSO/Classical New England — 2023/09/02

 The "encore broadcasts" continue. This week we get a chance to hear the concert of November 26, 2022. Here's the description from WCRB:

In an encore broadcast, BSO Assistant Conductor Anna Rakitina conducts the suite from Elena Langer’s Figaro Gets a Divorce and Mussorgsky’s Pictures at an Exhibition, and Inon Barnatan is the soloist in the crown-jewel of Rachmaninoff’s works, Rhapsody on a Theme of Paganini.

Anna Rakitina, conductor
Inon Barnatan, piano

Elena LANGER Figaro Gets a Divorce Suite
Sergei RACHMANINOFF Rhapsody on a Theme of Paganini
Modest MUSSORGSKY Pictures at an Exhibition (orch. Ravel)

This concert was originally broadcast on November 26th, 2022 and is no longer available on demand.

In a conversation with CRB's Brian McCreath, pianist Inon Barnatan describes his love for Rachmaninoff's music, how the Rhapsody on a Theme of Paganini is unique among the composer's works for piano, and what he's learned as Music Director of the La Jolla SummerFest. To listen, use the player above, and read the transcript below.

TRANSCRIPT:

Brian McCreath I'm Brian McCreath at Symphony Hall with Inon Barnatan, who is back with the BSO for the Rhapsody on a Theme of Paganini, one of my favorite pieces by Rachmaninoff, and so, Inon, thanks a lot for your

I wrote about it at the time, and the links in my post still work, so you can go there to read the review in the Intelligencer — unimpressed by the Langer, enthusiastic for the Rachmaninoff, and finding fault with the Mussorgsky. You can also see the program notes which are available at the BSO's performance detail page. The explanation of the pictures might make the Mussorgsky more understandable. The Globe ended up publishing a favorable review a few days after I posted.

So there you have it: two familiar pieces, one very well performed, after a newish item that's no great shucks. If my brother weren't going to call at the time, I'd be tempted to listen to the Rachmaninoff "Rhapsody," and follow the Red Sox game before and after that, but I don't think it'd be a big mistake to listen to the wole thing.

BSO — 2022/11/26

 The orchestra is back from Japan. WCRB tells us what they'll play for our entertainment this evening:

Saturday, November 26, 2022
8:00 PM

BSO Assistant Conductor Anna Rakitina conducts the suite from Elena Langer’s Figaro Gets a Divorce and Mussorgsky’s Pictures at an Exhibition, and Inon Barnatan is the soloist in the crown-jewel of Rachmaninoff’s works, Rhapsody on a Theme of Paganini.

Anna Rakitina, conductor
Inon Barnatan, piano

Elena LANGER Figaro Gets a Divorce Suite
Sergei RACHMANINOFF Rhapsody on a Theme of Paganini
Modest MUSSORGSKY Pictures at an Exhibition (orch. Ravel)

In a conversation with CRB's Brian McCreath, pianist Inon Barnatan describes his love for Rachmaninoff's music, how the Rhapsody on a Theme of Paganini is unique among the composer's works for piano, and what he's learned as Music Director of the La Jolla SummerFest. To listen, used the player above, or read the transcript below.

TRANSCRIPT:

Brian McCreath I'm Brian McCreath at Symphony Hall with Inon Barnatan, who is back with the BSO for the Rhapsody on a Theme of Paganini, one of my

As usual, if you go to their page you can find a link to the audio of the interview as well as the full transcript.

The BSO' own performance detail page gives the following blurb as well as links to the program notes that are in the booklets given to the audience:

BSO Assistant Conductor Anna Rakitina leads pianist Inon Barnatan in Sergei Rachmaninoff’s last piano-and-orchestra work, featuring both astonishing virtuoso passages and Rachmaninoff’s best-known melody. The orchestral suite from composer Elena Langer’s witty and touching opera Figaro Gets a Divorce is by turns mysterious, songful, and jazzy. Modest Mussorgsky’s Pictures at an Exhibition, orchestrated brilliantly by Maurice Ravel, is a magical response to marvelous paintings.

As the program note informs us, the "Figaro Gets a Divorce" Suite was performed at Tanglewood in 2021. I think I heard it then, and I seem to remember it was okay, but nothing to write home about. The other two pieces on the program are "warhorses."

The Intelligencer has a mixed review of Friday's performance. I can't find a review in the Globe.

Well, the Mussorgsky and Rachmaninoff pieces have stood the test of time (even if they aren't the greatest thing since sliced bread), so you might as well listen to them. Nothing there to drive you screaming from the room.

I hope there will be a rebroadcast at 8:00 p.m. on December 5. There usually is a retransmission when it's a live concert on a Saturday, although they don't actually promise it this time. We'll see.

BSO/Classical New England — 2021/12/04

 The BSO is off for December, and Holiday Pops has taken over Symphony Hall. WCRB will treat us to a performance of Holiday Pops on Sunday, December 19. On Saturdays we will, as usual, have rebroadcasts of earlier concerts. This week it will be the August 14, 2021 concert from Tanglewood, with a piece from August 2 added. WCRB tells us:

Saturday, December 4, 2021
8:00 PM

In an encore broadcast from the 2021 Tanglewood season, the BSO Assistant Conductor leads Elgar’s "Enigma" Variations, Elena Langer’s "Figaro Gets a Divorce," and Ravel’s jazz-infused Piano Concerto in G, with soloist Jean-Yves Thibaudet, Saturday night at 8pm.

Recorded on Aug. 14, 2021, at the Koussevitzky Music Shed at Tanglewood

Anna Rakitina, conductor
Jean-Yves Thibaudet, piano

Elena LANGER Suite from Figaro Gets a Divorce
RAVEL Piano Concerto in G
William Grant STILL Darker America (Tanglewood Music Center Orchestra, Adam Hickox, conductor; Aug. 2, 2021)
ELGAR Enigma Variations

Learn more about this concert and listen to interviews at the Tanglewood Learning Institute online.

I wrote about the August 14 concert back then. WCRB wasn't broadcasting the Friday concerts last summer because the BSO wasn't doing the playing. So I have nothing specific about the Still piece they're interpolating. My general impression, though, is that Still is pretty good, so it'll probably be worth hearing.

The August 14 concert was favorably reviewed in the Intelligencer and in the Globe.

So it seems we're in for a good evening of pre-recorded music from the BSO. Enjoy.

Tanglewood — 2021/08/14-15

 It's the last weekend of the BSO's Tanglewood season. It will not close with the traditional Beethoven 9th Symphony, but with Herbert Blomstedt coming back to lead an all-Brahms program on Sunday. But first we get the Saturday concert with a mixi of the new and the familiar led by a BSO assistant conductor.

Saturday, August 14, 2021.  WCRB's capsule tells us:

Saturday night at 8pm, live from Tanglewood, the BSO Assistant Conductor leads Elgar’s Enigma Variations, Elena Langer’s Figaro Gets a Divorce, and Ravel’s jazz-infused Piano Concerto in G, with soloist Jean-Yves Thibaudet.

Anna Rakitina, conductor
Jean-Yves Thibaudet, piano

Elena LANGER Suite from Figaro Gets a Divorce
RAVEL Piano Concerto in G
ELGAR Enigma Variations

(Some emphasis added.)

I read the program note for the Suite from "Figaro Gets a Divorce," (accessible via the link on the BSO's performance detail page), and I still have no idea what to expect. Of course, it won't be as good as Mozart or Rossini, but I set the bar very low for new music: as long as it's tolerable, I'm content. I don't care about the Ravel concerto either. I just hope that they'll be able to give a good chunk of the Elgar before my brother calls from Tokyo.

Sunday, August 15, 2021.  As I mentioned, it's all Brahms. WCRB provides specifics:

In the closing concert of the 2021 Boston Symphony Orchestra season at Tanglewood, it’s an all-Brahms concert with Leonidas Kavakos as the soloist in the Violin Concerto and Herbert Blomstedt conducting the Symphony No. 4, Sunday evening at 7pm.

Herbert Blomstedt, conductor
Leonidas Kavakos, violin

ALL-BRAHMS PROGRAM
Violin Concerto
Symphony No. 4

(Emphasis added.)

Most people will probably like this one a lot. The performance detail page has the usual links. As you know, I don't care very much for Brahms' symphonies and concertos, but I'm definitely in the minority on that. So enjoy.

Traditions are generally a good thing, but the one of concluding the Tanglewood season with the Beethoven 9th is fairly recent. I won't be upset if they don't go back to it if there's a full season next summer.