BSO — 2024/10/26

 Last week I was a bit busy and didn't get around to making a regular post, but you can hear the concert on Monday evening at 8:00. It's worth hearing. Here's what's in store for this evening, as told to us by WCRB:

Saturday, October 26, 2024
8:00 PM

Pianist Jean-Yves Thibaudet brings dazzling elegance to Franz Liszt’s Piano Concerto No. 2, and Antonio Pappano conducts two works that ask deep questions of humanity. Richard Strauss’s Also sprach Zarathustra, with its immediately recognizable opening “sunrise,” is a musical response to Friedrich Nietzsche’s metaphysical novel of the same name. Hannah Kendall uses unusual orchestral techniques and music boxes in her recent O flower of fire, inspired by the work of Guyanese-British poet Martin Carter.

Sir Antonio Pappano, conductor
Jean-Yves Thibaudet, piano

Hannah KENDALL O flower of fire (American premiere)
Franz LISZT Piano Concerto No. 2
Richard STRAUSS Also sprach Zarathustra

Sir Antonio Pappano describes the unique qualities of Hannah Kendall's music, and previews the works by Liszt and Strauss on this program, in an interview you can hear using the player above, with the transcript below.

INTERVIEW TRANSCRIPT (lightly edited for clarity):

Brian McCreath I'm Brian McCreath at Symphony Hall with Sir Antonio Pappano, back here with the Boston Symphony for a really amazing program

WCRB's description is lifted from the BSO performance detail page, where you can also find links to performer bios and program notes, which may be of some interest.

I can't find a review in the Globe but the Intelligencer has one that is generally favorable.

I was there on Friday afternoon and found the Kendall piece quite tolerable, alternating loud and soft passages. I could hear the harmonicas when I saw musicians playing them, and I think I even heard a music box in some very soft passages. But if I never hear it again after this evening and maybe in the rebroadcast on November 4, it will be no great loss. I wish the BSO gave us more of the old curtain raisers such as 19th Century overtures and fewer of these new pieces that they'll probably never want to play again.

The Liszt concerto was fun to listen to, and the Strauss was good as well. Of course, I think the philosophy of Nietzsche which inspired Strauss is balderdash, but the music doesn't depend on it and makes for interesting listening. Until I read thee program note I hadn't realized that the piece had sections corresponding to sections of the book. It may be a bit more interesting to try to follow that program. OTOH it may not be easy to hear the trnsitions from one section to another.

Anyway, this should be a pretty good evening.

BBSO — 2023/10/21

 This is one you won't want to miss. Here's how WCRB describes it:

Saturday, October 21, 2023
8:00pm

Encore broadcast on Monday, October 30

Andris Nelsons leads the BSO in Beethoven’s Piano Concerto No. 5 with soloist Paul Lewis. This heroic piece is paired with Hannah Kendall’s The Spark Catchers, a new work inspired by imagery from Lemn Sissay’s poem by the same name, and James Lee III’s Freedom’s Genuine Dawn, a BSO co-commission with texts by the 19th-century African-American orator and activist Frederick Douglass read by narrator Thomas Warfield.

Andris Nelsons, conductor 
Paul Lewis, piano
Thomas Warfield, narrator

Hannah KENDALL The Spark Catchers
James LEE III Freedom’s Genuine Dawn, for narrator and orchestra (BSO co-commission)
Ludwig van BEETHOVEN Piano Concerto No. 5, Emperor

Read Lemn Sissay's 2017 poem "The Spark Catchers" here.

Read the entire text of "What to the Slave is the Fourth of July?" from PBS and learn more about the speech from the National Museum of African American History and Culture.

Using the tabs below, you can hear composer James Lee III describe the genesis of Freedom's Genuine Dawn as well as Paul Lewis describe the journey of performing all five of Beethoven's Piano Concertos. Transcripts included below.

James Lee III InterviewPaul Lewis Interview

Of course, the major attraction comes after the intermission, Beethoven's Fifth Piano Concerty, nicknamed "Emperor." It ranks amount my faavorite pieces ever. But the first part of the concert is also intriguing. I want to hear "Freedom's Genuine Dawn. From the description in the program notes, it should be worth heariing. I heard "The Spark Catchers" on Friday afternoon along with Beethoven's No. 2 and 4 on Friday afternoon. It's ho-hum — definitely tolerable but, on first hearing, not memorable. On balance, I'd say it's worth sitting through to get to the rest of the show.

The program notes, for more information about the pieces, are linked on the BSO's own performance detail page, which begins with this description of the concert:

Andris Nelsons, conductor
Paul Lewis, piano 
Thomas Warfield, narrator 

Hannah KENDALL The Spark Catchers 
James LEE III Freedom’s Genuine Dawn, for narrator and orchestra (Co-commissioned by the Boston Symphony Orchestra, Andris Nelsons, Music Director, through the generous support of the New Works Fund established by the Massachusetts Cultural Council, a state agency.)
Intermission
BEETHOVEN Piano Concerto No. 5, Emperor

English pianist Paul Lewis takes us on a musical and stylistic adventure through all five of Beethoven’s piano concertos over three concerts. These performances are paired with two poetic journeys: Hannah Kendall’s The Spark Catchers, inspired by imagery from Lemn Sissay’s poem by the same name; and James Lee III’s Freedom’s Genuine Dawn, a BSO co-commission set with texts by the seminal 19th-century African American orator and activist Frederick Douglass.

The review in the Intelligencer gives some idea of what to expect in "The Spark Catchers." Since it is of the Thursday concert, it has nothing about the rest of the program. So far, there is no review in the Globe.

I'll be going out to my club for dinner. I want to try the veal chop which is a special this week. But I definitely plan to hear the rebroadcast on Monday October 30. I recommend listening this evening if you're free, and again or for the first time on the 30th.