Showing posts with label Previn. Show all posts
Showing posts with label Previn. Show all posts

Friday, July 5, 2019

Tanglewood — 2019/07/05-07

The Boston Symphony begins its Tanglewood Season this weekend. WCRB will broadcast and stream the Friday and Saturday concerts live at 8:00 p.m. each day and the Sunday concert by tape delay at 7:00 p.m. I don't know about the Tower piece, but the rest looks pretty mainstream. Enjoy!


Friday, July 5, 2019.  Opening night features Mozart and Mahler. Here's the synopsis from the orchestra's own program detail page:
Andris Nelsons leads the Boston Symphony Orchestra in its Opening Night concert of the season with Tanglewood favorite Emanuel Ax performing Mozart’s Piano Concerto No. 22, on a program with Mahler’s Symphony No. 5.
(Emphasis added.)

As regular readers of these blogposts know, the performance detail page has links to further information including program notes, audio previews, performer bios (click the thumbnail photos), and related media. There are also links to additional material on the WCRB homepage, as well as the button to listen "live" over the internet.

The Mahler Symphony was performed in Symphony Hall on November 17, 2018. My post at the time was highly abbreviated, so if you want reviews, you'll need to do your own digging in the Globe and the Musical Intelligencer. The piano concerto was given, with a different soloist and conductor, on January 26 of this year. My blogpost about the concert doesn't have anything to say about the Mozart, but it does have links to reviews.


Saturday, July 6, 2019.  On Saturday there are three pieces which were not performed in Symphony Hall during the past season. Again, the performance detail page gives some links and summarizes:
Andris Nelsons leads the Boston Symphony Orchestra in a program opening with Joan Tower’s Fanfare for the Uncommon Woman No. 1, followed by the BSO’s first Tanglewood performance of André Previn’s Violin Concerto, Anne-Sophie, featuring the dedicatee of the work, Anne-Sophie Mutter, as soloist; this program ends with Dvořák’s Symphony No. 9, From the New World.
(Some emphasis added.)


Sunday, July 7, 2019.  Sunday brings a "guest appearance" by the Boston Pops. The performance detail page gives some details about the performance, although the Pops performs so many pieces that they don't list them all.
Join the Boston Pops for the first of three programs this summer, celebrating the art of John Williams. Drawing from her recent recording “Across the Stars,” the great violinist Anne-Sophie Mutter performs selections from Mr. Williams’ iconic scores, in brilliant new arrangements created especially for her. The program includes music from Star Wars, Dracula and Harry Potter, as well as the haunting melodies of Memoirs of a Geisha.
(Some emphasis added.)

What the synopsis doesn't mention is that David Newman shares podium duties with Maestro Williams.

Friday, August 10, 2012

Tanglewood — 2012/08/10-12

August 10.  This weekend we start with an all Bach program on Friday evening. I take the listings from the BSO website's details page, which also has links to the program notes for the concert.
BACH - Brandenburg Concerto No. 3
BACH - Concerto in C minor for violin, oboe, and strings, BWV 1060
BACH - Concerto in D minor for two violins and strings, BWV 1043
BACH - Violin Concerto No. 1 in A minor, BWV 1041
BACH - Brandenburg Concerto No. 5

Pinchas Zukerman will play violin and conduct.



August 11.   Saturday evening brings us a world premiere.




PREVIN - Music for Boston (world premiere; BSO commission)
ELGAR - Cello Concerto
SHOSTAKOVICH - Symphony No. 5



Stephane Denève will conduct, and Yo-Yo Ma will be the cello soloist. Links to notes and audio previews of the Elgar and Shostakovich pieces are on the detail page.



August 12.   The least "interesting" program, to my taste, is the only one I can be home to hear in its entirety: Christoph von Dohnányi on the podium with Paul Lewis as piano soloist in




BEETHOVEN - Symphony No. 4
MOZART - Piano Concerto No. 23 in A, K.488
STRAUSS - Till Eulenspiegel's Merry Pranks
 


The 4th has never really appealed to me, apart from the slow movement, and if I never hear "Till Eulenspiegel" again, it will be soon enough (but I may listen out of a sense of duty). See the links on the detail page, if you want.

I wish I could be at home for the Bach and for the Previn premiere. Thank goodness for the on demand streaming.

Classical New England offers it all, plus some other performances and features, on their website.