A little while ago the announcer on WCRB said that this weekend marks the midpoint of the BSO' Tanglewood season. Let's see what's in store.
First is WCRB's description of this evening's concert:
Friday, July 26, 2024
8:00 PM
In celebration of Serge Koussevitzky’s 150th birthday, Andris Nelsons leads a concert that includes Koussevitzky’s Double Bass Concerto, with soloist Edwin Barker, as well as spectacular works by Steven Mackey, Sibelius, and Scriabin.
Boston Symphony Orchestra
Andris Nelsons, conductor
Yefim Bronfman, piano
Edwin Barker, double bass
Will Liverman, baritone
Tanglewood Festival Chorus,
James Burton, conductor
Steven MACKEY Urban Ocean
Serge KOUSSEVITZKY Double Bass Concerto
Jean SIBELIUS The Origin of Fire
Alexander SCRIABIN Prometheus, Poem of Fire
To hear a preview of Scriabin's Prometheus, Poem of Fire with pianist Yefim Bronfman, listen to this interview from April 6, 2024. Use the player above, and read the transcript below.
TRANSCRIPT (lightly edited for clarity):
Brian McCreath I'm Brian McCreath at Sympho
So there is an interview accessible from the WCRB page either audio or transrcipt.
As always, the description on the BSO's performance detail page is fuller:
Boston Symphony Orchestra
Andris Nelsons, conductor
Yefim Bronfman, piano
Edwin Barker, double bass
Will Liverman, baritone
Tanglewood Festival Chorus
James Burton, conductor
Steven MACKEY Urban Ocean
KOUSSEVITZKY Double Bass Concerto
-Intermission-
SIBELIUS The Origin of Fire for baritone, male chorus, and orchestra
SCRIABIN Prometheus, Poem of Fire, for piano, chorus, and orchestra
Tonight’s concert is generously supported by Eitan and Malka Evan.
This evening's performance by the Tanglewood Festival Chorus is supported by the Alan J. and Suzanne W. Dworsky Fund for Voice and Chorus.
In tribute to Serge Koussevitzky’s legacy, Andris Nelsons and the BSO dedicate this concert series to the trailblazer, opening with Koussevitzky’s virtuosic Double Bass Concerto performed by the BSO’s own Edwin Barker.
Baritone Will Liverman and the Tanglewood Festival Chorus join the program for two impassioned works: Sibelius’ The Origin of Fire and Scriabin’s Prometheus, Poem of Fire, which Koussevitzky led the 1925 Boston premiere of.
As always, there are links to performer bios and program notes, which you might like to read. (Side note: When Edwin Barker joined the BSO back in the 70's he looked so much like my kid brother that when my mother first saw him on stage she wondered, "What's Jerry doing here?" Now they aren't lookalikes any more.)
Next we come to Saturday, and WCRB says:
Saturday, July 27, 2024
8:00 PM
Jean-Yves Thibaudet is the soloist in Khachaturian’s vibrant, colorful Piano Concerto, part of a program that also includes Tania León's Pulitzer prize-winning Stride and Tchaikovsky’s Symphony No. 6, the “Pathétique.”
Boston Symphony Orchestra
Andris Nelsons, conductor
Jean-Yves Thibaudet, piano
Tania LEÓN STRIDE
Aram KHACHATURIAN Piano Concerto
Pyotr TCHAIKOVSKY Symphony No. 6, Pathétique
From the BSO we get the following:
Boston Symphony Orchestra
Andris Nelsons, conductor
Jean-Yves Thibaudet, piano
Tania LEÓN Stride
KHACHATURIAN Piano Concerto
-Intermission-
TCHAIKOVSKY Symphony No. 6, Pathétique
In tribute to Serge Koussevitzky’s legacy, Andris Nelsons and the BSO dedicate this concert series to the trailblazer. In the spirit of Koussevitzky’s passion for promoting contemporary music and composers, this concert features Tania León's STRIDE, a Pulitzer prize-winning work of resilience and surprise.
Jean-Yves Thibaudet also joins for Khachaturian’s vibrant, colorful Piano Concerto, and the concert ends with Tchaikovsky’s moving, yearning Pathétique Symphony.
Tonight’s concert is generously supported by Bonnie and Terry Burman.
Tonight's performance by Jean-Yves Thibaudet is generously supported by Stephen Bardfield in memory of his mom, Gisele Klein Wolfson.
Finally on Sunday at 7:00 we get the usual rebroadcast of the matinee concert. Per WCRB:
Sunday, July 28, 2024
7:00 PM
This program, focusing on the wide variety and rich tapestry of 20th century music, explores themes of spirituality and liberation, blending American sounds and European traditions much as Koussevitzky did during his life.
In a reflection of Koussevitzky’s commitment to new music, Thomas Warfield is the narrator in James Lee III’s Freedom’s Genuine Dawn, a piece based on the great Fredrick Douglas text “What to the Slave Is the 4th of July?”. Paul Lewis is the soloist in the Piano Concerto by Aaron Copland, whom Koussevitzky brought to the Berkshires to launch what’s now the Tanglewood Music Center, one of the world’s premiere academies for early-stage professional musicians, and for which Randall Thompson wrote his Alleluia, still sung at the TMC to begin of every summer. And the Tanglewood Festival Chorus also sings one of Koussevitzky’s most significant commissions, Stravinsky’s Symphony of Psalms.
Boston Symphony Orchestra
Andris Nelsons, conductor
Paul Lewis, piano
Thomas Warfield, narrator
Tanglewood Festival Chorus
James Burton, conductor
James LEE III Freedom’s Genuine Dawn
Aaron COPLAND Piano Concerto
Randall THOMPSON Alleluia
Igor STRAVINSKY Symphony of Psalms
Read the entire text of "What to the Slave is the Fourth of July?" from PBS and learn more about the speech from the National Museum of African American History and Culture.
Hear composer James Lee III describe the genesis of Freedom's Genuine Dawn using the audio player above and reading the transcript below.
TRANSCRIPT:
Brian McCreath I'm Brian McCreath from WCRB with James Lee III who is back in Boston for the Boston Symphony Orchestra for the second time.
The BSO performance detail page, in addition to the usual links, offers this synopsis:
Boston Symphony Orchestra
Andris Nelsons, conductor
Paul Lewis, piano
Thomas Warfield, narrator
Tanglewood Festival Chorus
James Burton, conductor
James LEE III Freedom’s Genuine Dawn
COPLAND Piano Concerto
-Intermission-
THOMPSON Alleluia, for unaccompanied chorus
STRAVINSKY Symphony of Psalms
In tribute to Serge Koussevitzky’s legacy, Andris Nelsons and the BSO dedicate this concert series to the trailblazer.
This program, focusing on the wide variety and rich tapestry of 20th century music, explores themes of spirituality and liberation, blending American sounds and European traditions, much as Koussevitzky did during his life. Performing artist Thomas Warfield joins as the narrator for James Lee’s Freedom’s Genuine Dawn, a piece based on the great Fredrick Douglas text “What to the Slave Is the 4th of July?”, which makes the audience grapple with the legacy of slavery being intertwined with the founding of the country.
This afternoon’s performance by the Tanglewood Festival Chorus is supported by the Alan J. and Suzanne W. Dworsky Fund for Voice and Chorus.
This looks like an interesting series of concerts. Apart from the Tchaikovsky, there are no "warhorses" of the orchestral repertory, but nothing really far from the mainstream. I can't vouch for the new music, but the rest shouldn't be excessivelychallenging — all in all a worthy tribute to the long-time maestro, so I give it a "thumbs up."
