BSO/Classical New England — 2024/09/07

This week's encore broadcast is one I didn't post about because I was still getting home from my Rhine Cruise #MyVikingCruise. I'll try to find the BSO performance detail page and reviews for you. Here's what WCRB says: 

Saturday, September 7, 2024
8:00pm

In an encore broadcast, BSO Assistant Conductor Earl Lee leads Henri Tomasi’s sultry, atmospheric Saxophone Concerto with soloist Steven Banks in his BSO debut. The piece is bookended by César Franck’s Le Chasseur maudit, or "The Accursed Huntsman," and Tchaikovsky’s Symphony No. 4, both exploring the power of fate.

Earl Lee, conductor
Steven Banks, saxophone

César FRANCK Le Chasseur maudit
Henri TOMASI Concerto for Alto Saxophone and Orchestra
Pyotr Ilyich TCHAIKOVSKY Symphony No. 4

This concert was originally broadcast on November 25, 2023, and is no longer available on demand.

In a conversation with WCRB's Brian McCreath, Steven Banks describes the qualities that make Tomasi's Saxophone Concerto unique among concertos for the instrument, as well as what it takes to cover the full range of saxophone repertoire, and Earl Lee talks about his experiences conducting Franck's Le Chasseur maudit and Tchaikovsky's Fourth Symphony. To listen, use the player above, and read the transcript below.

TRANSCRIPT (lightly edited for clarity):

Brian McCreath I'm Brian McCreath from WCRB, at Symphony Hall with BSO Assistant Conductor Earl Lee and saxophonist Steven Banks. It's so good

The interview is worth reading or listening to.

The BSO performance detail page, in addition to the links to performer bios and program notes on each piece, gives us the following synopsis:

Boston Symphony Orchestra

Symphony Hall, Boston, MA 

Earl Lee, conductor 
Steven Banks, saxophone

FRANCK Le Chasseur maudit 
TOMASI Concerto for Alto Saxophone and Orchestra
Intermission
TCHAIKOVSKY Symphony No. 4

French composer César Franck’s Le Chasseur maudit — “The Cursed Hunter” — is based on a ballad about a man commits the grave sin of hunting on the Sabbath and is doomed to be eternally chased by demons. BSO Assistant Conductor Earl Lee leads the sultry, atmospheric 1949 Saxophone Concerto by French composer Henri Tomasi; making his BSO debut, American Steven Banks is one of today’s leading classical saxophone performers. The program closes with the emotional turmoil of Pyotr Tchaikovsky’s Symphony No. 4, which opens with the famous “fate” motif, and sweetened by the composer’s great gift for beautiful melody.

Neither the Globe nor the Musical Intelligencer carried a review, so all I can say is it should be worth listening to. The Franck piece gets played occasionally on the radio, and it's not bad. Of course the Tchaikovsky is a staple of the repertoire, and from the interview, it seems the Tomasi should be interesting. So enjoy.

BSO — 2013/10/10-12

This week's concerts are an interesting mixture of the traditional and the modern. One can read something of an "ocean" theme into the three works preceding the intermission. I'm not sure how useful that is, though. Anyway, here's how the BSO itself describes the program:

English composer-conductor-pianist Thomas Adès returns to the BSO podium with more music of his own. He composed his symphonic poem Polaris in 2010; subtitled "Voyage for Orchestra," it calls for a spatial arrangement of the brass around the auditorium. The program begins with another "voyage" piece, Mendelssohn's Hebrides Overture, which describes the composer's reaction to the Scottish seascape he visited on a tour of the British Isles. Charles Ives's Orchestral Set No. 2 is a series of smaller tone poems on subjects from New England and New York, featuring his inimitable use of quotation and collage of popular tunes. The Thursday and Saturday concerts also include César Franck's powerful Symphony in D minor-his most enduring orchestral work. (Emphasis supplied.)

The performance detail page, from which I copied the above, also has the usual links to performer info, program notes and audio previews. They don't mention there that the third section of the Ives piece also has an ocean connection: it is about the reaction of commuters in a train station to news of the sinking of the Lusitania.

I was at the concert on Thursday evening, and I really enjoyed it, especially the Ives and Adès. The Ives was so good (especially the brass section blaring "In the Sweet Bye and Bye") that I shouted "Bravo" as the applause was just starting. I like to think it encouraged more vigorous and sustained applause, leading to a second return to the stage for Maestro Adès — we'll see if he gets called back more than once this evening. In any event, I'm amazed that this particular piece has never been performed by the BSO before this week. I hope they'll do it again while I'm still able to get to Symphony Hall and enjoy it. The Globe reviewer also liked the concert.

It has occurred to me that my ability to enjoy the music of Ives (and other 20th and 21st century composers) owes a lot to reading program notes in advance to get an idea of what a composition is all about, how it works. So I definitely recommend following the links on the performance detail page when there's an unfamiliar piece.

You can hear it for yourself over the radio or the web on Classical New England. Their page devoted to the BSO includes, among others potentially interesting things, a link to an interview with the composer/conductor, in which he talks about all the pieces on the program. I haven't heard it yet, but I hope I'll have a chance to before tonight's broadcast.

Jean-Frédéric Neuburger

Last Friday evening M. Neuburger gave a concert at the Harvard Musical Association. He's about 22 years old and has been winning prizes as a pianist and organist for the past ten years. He gave a piano program of five pieces — Bach, Franck, Ravel, and 2 by Chopin. It was over an hour of music, and he did it all from memory. More importantly, he did it well. The audience applauded enthusiastically, and he gave an encore, by Debussy, also from memory.

So here's another name to look for in a concert hall near you.