BSO/Classical New England — 2026/03/29

 For whatever reason, WCRB is giving us an "encore broadcast" instead of tonight's concert from Symphony Hall. Here's their blurb: https://www.classicalwcrb.org/show/the-boston-symphony-orchestra/2024-10-31/revolucion-diamantina-with-the-crossing-giancarlo-guerrero-alban-gerhardt

WCRB

Classical Music on WCRB

JS Bach: Complete Keyboard ConcAll StreamsSaturday, March 28, 2026

8:00 PM

In an encore broadcast, hear acclaimed Mexican composer Gabriela Ortiz's ballet score Revolución diamantina, exploring the powerful, feminist “Glitter Revolution” campaign in Mexico that highlighted the epidemic of violence against women. Pyotr Ilyich Tchaikovsky wonderfully depicts love’s passion and an infernal whirlwind in his tone poem Francesca da Rimini, and Alban Gerhardt is soloist in the composer’s charming Variations on a Rococo Theme.

Giancarlo Guerrero, conductor
Alban Gerhardt, cello
The Crossing 
 Donald Nally, Artistic Director

Gabriela ORTIZ Revolución diamantina
Pyotr Ilyich TCHAIKOVSKY Variations on a Rococo Theme, for cello and orchestra
TCHAIKOVSKY Francesca da Rimini

This concert was originally broadcast on March 1, 2025.

In a preview of this concert, conductor Giancarlo Guerrero describes Gabriela Ortiz's Revolución diamantina, how Tchaikovksy's music relates to it, and what he's looking forward to in his new position as Music Director of the Sarasota Orchestra next season. Listen with the player above, and read the transcript below.

INTERVIEW TRANSCRIPT:

Brian McCreath I'm Brian McCreath at Symphony Hall with Giancarlo Guerrero, who's back

 

Speculation is that Renee Fleming's cpntract doesn't allow her performance to be broadcast. In any event, it's not being broadcast. I posted about the concert we'll be getting last year, so you can "Read all about it.

Enjoy.

Tanglewood — 2025/07/26-27

 There are two great evenings of music in store for us. (I'm sorry I missed last evening, but I had returned from several days away and it slipped my mind. If you checked it out without waiting for my preview, I'm sure you enjoyed the concert of music by Bach, Mahler, and Mendelssohn.)

July 26, 2025

This evening a world premiere awaits along with a well known symphony by Mahler.Here's WCRB's description: https://www.classicalwcrb.org/show/the-boston-symphony-orchestra/2025-04-24/a-john-williams-world-premiere-with-emmanuel-ax-at-tanglewood

Saturday, July 26, 2025
8:00 PM

Music Director Andris Nelsons leads the BSO in the world premiere of John Williams’s Piano Concerto, inspired by three legendary jazz pianists and written for soloist Emanuel Ax, part of a program that also includes the epic musical journey of Mahler’s Symphony No. 1.

Andris Nelsons, conductor
Emanuel Ax, piano

John WILLIAMS Piano Concerto (world premiere)
Gustav MAHLER Symphony No. 1

To hear a preview of John Williams's Piano Concerto with Emanuel Ax, use the player above, and read the transcript below.

For more information on Tanglewood concerts, visit the BSO box office.

Brian McCreath I'm Brian McCreath at the Koussevitzky Music Shed with Emanuel Ax. And Manny, thank you so much for a little of your time today. I appreciate it.

Emanuel Ax It's my pleasure to be here

The interview is interesting.

At the BSO's performance detail page https://www.bso.org/events/bso-july-26-emanuel-ax?performance=2025-07-26-20%3A00 we are treated to this synopsis by Robert Kirzinger:

A major new work by John Williams, a full-fledged Concerto for Piano and Orchestra composed for and premiered by Emanuel Ax with Andris Nelsons and the Boston Symphony Orchestra, at Tanglewood—it speaks for itself. This warm coming-together of artists who have a deep connection with Tanglewood, its history, and its future can only be topped by the performance itself on Saturday evening in the Shed. In this brilliant, virtuoso concerto, Williams draws on his lifelong love of the piano and some of its most individual talents: its three movements pay homage to jazz greats Art Tatum, Bill Evans, and Oscar Peterson. The concerto shares the Saturday concert with Gustav Mahler’s powerful and lyrical Symphony No. 1. With its broad melodies, hints of birdsong, and its second-movement rustic dance, the symphony channels Mahler’s love of the outdoors and the countryside while also serving as a true orchestral showpiece. 

There are also full program notes for the piano concerto https://www.bso.org/works/john-williams-concerto-for-piano-and-orchestra and for the symphony https://www.bso.org/works/mahler-symphony-no-1-in-d .

It should be interesting to hear a new piece by John Williams.

July 27, 2025

As always the Sunday afternoon concert is broadcast for us on Sunday evening at 7:00, in WCRB's usual "In Concert" time slot. They describe it thus: https://www.classicalwcrb.org/show/the-boston-symphony-orchestra/2025-04-24/lang-lang-and-the-bso-play-saint-saens-at-tanglewood

Sunday, July 27, 2025
7:00 PM

Lang Lang is the soloist in the beautifully romantic Piano Concerto No. 2 by Saint-Saëns in a program led by Andris Nelsons that also includes Gabriela Ortiz’s exuberant La Calaca, and Beethoven’s Symphony No. 6, the Pastoral.

Andris Nelsons, conductor
Lang Lang, piano

Gabriela ORTIZ La Calaca, for string orchestra
Camille SAINT-SÄENS Piano Concerto No. 2

Ludwig van BEETHOVEN Symphony No. 6, Pastoral 

Again, the BSO performance detail page for the weekend has a synopsis by Robert Kirzinger, as follows:

Sunday’s concert features another outstanding pianist, Lang Lang, playing Camille Saint-Saëns’s scintillating Piano Concerto No. 2, one of the best known of the composer’s works. Saint-Saëns, a virtuoso pianist himself, played its premiere in Paris in December 1868. The concert opens with Mexican composer and 2025 Tanglewood Festival of Contemporary Music Director Gabriela Ortiz’s La Calaca, a hypnotically rhythmic, dancing work whose title refers to the stylized, music-loving skeleton figures of Day of the Dead celebrations. Beethoven’s sunny Pastoral Symphony—complete with birdsong, a country dance, and a brief (musical) summer storm—completes the program.

At the page for this concert we find he program notes for the Ortiz work https://www.bso.org/works/ortiz-la-calaca , for the concerto https://www.bso.org/works/piano-concerto-no-2-saint-saens , and for the symphony https://www.bso.org/works/beethoven-symphony-no-6-pastoral .

All in all, it should be a very enjoyable pair of concerts.

BSO — 2025/03/01

 The Boston Symphony begins with a new piece and then gives us two infrequently peerformed pieces by Tchaikovsky. Here's what WCRB says about the concert:

8:00 PM

Acclaimed Mexican composer Gabriela Ortiz wrote her ballet score Revolución diamantina with Mexican writer Cristina Rivera Garza. The piece explores the powerful, feminist “Glitter Revolution” campaign in Mexico to highlight the epidemic of violence against women. Pyotr Ilyich Tchaikovsky wonderfully depicts love’s passion and an infernal whirlwind in his tone poem Francesca da Rimini, and Alban Gerhardt is soloist in the composer’s charming Variations on a Rococo Theme.

Giancarlo Guerrero, conductor
Alban Gerhardt, cello
The Crossing 
 Donald Nally, Artistic Director

Gabriela ORTIZ Revolución diamantina
Pyotr Ilyich TCHAIKOVSKY Variations on a Rococo Theme, for cello and orchestra
TCHAIKOVSKY Francesca da Rimini

In a preview of this concert, conductor Giancarlo Guerrero describes Gabriela Ortiz's Revolución diamantina, how Tchaikovksy's music relates to it, and what he's looking forward to in his new position as Music Director of the Sarasota Orchestra next season. Listen with the player above, and read the transcript below.

INTERVIEW TRANSCRIPT:

Brian McCreath I'm Brian McCreath at Symphony Hall with Giancarlo Guerrero, who's back with the Boston Symphony, and another fascinating program, just like others that you have led in the past. Giancarlo, thanks a lot for your time today.

The orchestra's performance detail page expresses it a little differently:

Boston Symphony Orchestra

Symphony Hall, Boston, MA 

Giancarlo Guerrero, conductor 
Alban Gerhardt, cello 
The Crossing 
 Donald Nally, Artistic Director

Gabriela ORTIZ Revolución diamantina
-Intermission-
TCHAIKOVSKY Variations on a Rococo Theme, for cello and orchestra
TCHAIKOVSKY Francesca da Rimini

Acclaimed Mexican composer Gabriela Ortiz, known for her vibrant instrumental colors and skill with dramatic narrative, wrote her ballet score Revolución diamantina with Mexican writer Cristina Rivera Garza. The recording of the piece won this year’s Grammy Awards for best classical compendium, best orchestral performance, and best contemporary classical composition. Ortiz explores the powerful Mexican feminist “Glitter Revolution” campaign to highlight an epidemic of violence against women. Pyotr Ilyich Tchaikovsky wonderfully depicts love’s passion and an infernal whirlwind in his tone poem Francesca da Rimini, inspired by a historic injustice recounted in Dante’s Inferno. Murdered by her husband, Francesca suffers in the second level of hell for her lustfulness, buffeted by an eternal storm. As a contrast, Alban Gerhardt is soloist in the composer’s charming Variations on a Rococo Theme.

This week, they're linking the program notes so you can "read all about it."

There is an approving review in the Globe  — except for the cellist, whom the reviewer finds "bland." On the other hand, the reviewer in the Intelligencer was satisfied with the cellist but a bit disappointed in the conductor's approach to Francesca da Rimini.

I'm a bit curious to hear "Revolución diamantina," but I'm not expecting to find it especially beautiful. I remember the spaghetti sauce commercial where the Italian lady approves of the store-bought sauce, saying "You gotta try new things." The Tchaikovsky should be pleasant. You can hear as much or as little as you want beginning at 8:00 p.m.* Boston Time this evening and on March 10 over WCRB.

*  or at 9:00, (which should be during intermission) if you choose to skip the "Revolución."