BSO/Classical New England — 2022/05/07

 This evening, while the BSO is on break for a few weeks, WCRB takes us to the BSO's "golden grooveyard." In other words (from WCRB):

Saturday, May 7, 2022
8:00 PM

Tonight at 8, it's an evening dedicated to the BSO's rich recording discography, centered on Johannes Brahms's Symphony No. 2 and Dmitri Shostakovich's Symphony No. 1 with Music Director Andris Nelsons, plus works by Thomas Adès and Ferruccio Busoni.

Boston Symphony Orchestra
Andris Nelsons, conductor

Thomas Adès, conductor (Adès)
Kirill Gerstein, piano (Adès, Busoni)

Sakari Oramo, conductor (Busoni)

Dmitri SHOSTAKOVICH Festive Overture
Thomas ADÈS Concerto for Piano and Orchestra: I. Allegramente
Johannes BRAHMS Symphony No. 2
Ferruccio BUSONI Piano Concerto in C: IV. Tarantella
SHOSTAKOVICH Symphony No. 1

Recordings courtesies of Deutsche Grammophon, BSO Classics, Oberlin Music, and Myrios.

What more can I say? Since it's not a concert, there are no reviews, nor a BSO performance detail page. I can't say any of these pieces are favorites of mine, but I'll probably leave the radio on. Of course "everybody" likes Brahms.

BSO/Classical New England — 2018/09/29

This week, as we look forward to the return of the BSO for the 2018-19 season (with the first Saturday concert on October 13), WCRB will rebroadcast and stream the concert of March 11, 2017. I hadn't heard it previously, but I posted about it at the time, and you can check out the links there, including a review. The performance detail page described it as follows:

Finnish conductor Sakari Oramo and Russian pianist Kirill Gerstein return to Symphony Hall, joining the BSO and the men of the Tanglewood Festival Chorus for the visionary Italian composer Ferruccio Busoni's monumental Piano Concerto, a fascinating but rarely heard work of Mahlerian scope dating from the first years of the 20th century. These are the first BSO performances. (Future BSO conductor Karl Muck led the premiere in Berlin in 1904.) Opening the program is a very different sort of piece from the same era, Jean Sibelius's Symphony No. 3, a sunny, open work with numerous touches of folk-music simplicity.

(Emphasis added.)

As at the time, I still think it's well worth listening to, 8:00 p.m., EDST, September 29.

BSO — 2017/03/11

The Boston Symphony has returned to Symphony Hall just over a week ahead of the swallows' return to Capistrano. Unfortunately, they weren't back in time to play on Thursday, so I haven't heard the abbreviated week's very full concert under the baton of Finnish guest conductor Sakari Oramo. The show opens with Symphony № 3 by Sibelius. Then, after intermission, orchestra and conductor are joined by pianist Kirill Gerstein and the men of the Tanglewood Festival Chorus for the Piano Concerto of Busoni. That's right. There's a men's chorus in the fifth(!) movement of this 70-75 minute work. The orchestra's performance detail page provides the usual links and this description:

Finnish conductor Sakari Oramo and Russian pianist Kirill Gerstein return to Symphony Hall, joining the BSO and the men of the Tanglewood Festival Chorus for the visionary Italian composer Ferruccio Busoni's monumental Piano Concerto, a fascinating but rarely heard work of Mahlerian scope dating from the first years of the 20th century. These are the first BSO performances. (Future BSO conductor Karl Muck led the premiere in Berlin in 1904.) Opening the program is a very different sort of piece from the same era, Jean Sibelius's Symphony No. 3, a sunny, open work with numerous touches of folk-music simplicity.

I generally like Sibelius, and this symphony should be enjoyable. I don't know what to expect from the Busoni. I've heard the audio preview linked on the BSO page, and what's there sounds okay; but will the whole thing be engaging, or too much of an okay thing?

Surprisingly, there is already a review in the Globe. It's quite favorable and gives a fair amount of description of the music. The reviewer praises both conductor and pianist, and finds no fault with anything. (On the other hand, there are no raves such as "best performance ever.")

This sounds like a pretty good one to listen to on WCRB radio or internet, at 8:00 p.m. Boston Time Saturday, with a rerun available at 8:00 on Monday, March 20. There is a link to a podcast on one of the interior pages. Browse the site for other information about the station's offerings.